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Kentucky Derby Dried Apple Stack Cake

Back in the day, the legend goes, James Harrod, founder of Harrodsburg, Kentucky, home of the Beaumont Inn, created the stack cake to serve as a stand-in for the expensive wedding cake for the brides in the Appalachian Mountains. Friends and neighbors would bring in cake layers to donate to the bride’s family, and the family would spread the apple filling on the layers as they arrived. As in pure Southern style, the number of layers was an indication of the popularity of the bride. The cake actually looks like a stack of pancakes, as they are thin cakes. Apples were used because they were readily available, and drying was a popular way of preserving the fruit.

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The Kentucky Derby is only a few minutes long, so this gives you plenty of time to whip up this cake and serve it to your friends along with your Mint Juleps. Or maybe, in pure Southern style, why wait for a wedding, and invite your friends to bring their own cake layers and build your own stack. However, to be honest, it’s best to make the cake a day in advance and let it chill in the refrigerator over night.

This recipe is a “scratch version.” But feel free to skip that, use a yellow cake box mix, baked in layers, and top with each layer with apple topping.

Stack Cake Ingredients — from scratch

  • 1 cup butter
  • 1 cup sugar
  • 2 large eggs
  • 1/2 cup milk
  • 1/2 cup molasses
  • 5 cups flour
  • 1 teaspoon baking powder
  • 1 teaspoon baking soda
  • 1/4 teaspoon salt
  • 1 teaspoon ground ginger
  1. Beat butter and sugar until light and fluffy.
    Add eggs gradually
    Slowly add milk and molasses.
  2. In a separate bowl, combine flour, baking powder, soda, salt and remaining 1 teaspoon ginger.
  3. Fold dry ingredients into creamed mixture.
  4. Divide dough into 8 equal portions and wrap in plastic wrap.
  5. Chill in refrigerator for 1-2 hours.
  6. Pat each portion of dough into an 8-inch pancake circle on greased baking sheets or parchment-lined sheets.
  7. Bake at 350 for 10 minutes or until golden brown. Let layers cool completely before stacking.
  8. Layer each cake layer with portions of reserved apple filling as you stack the cake.

Apple Topping/Filling
Ingredients:

  • 18 ounces of dried apples
  • 1 cup brown sugar, packed
  • 1 1/2 teaspoons ground ginger
  • 1/4 teaspoon ground cloves
  • 1/2 teaspoon ground allspice

Cook apples with just enough water to cover, until soft; mash thoroughly. Stir in sugar and spices. Cool before spreading between layers.

Optional:
Cover with sprinkling of powdered sugar.  But remember… the kids may make it look like a blizzard hit.

Holy Frustration Batman!

The trouble with this toy is not its fragility; nor in its impracticality, even given the fact that it will be played with little boy hands that squeeze too hard, and get things, naturally, dirty. The problem with this toy is what it steals from me in quality time. What it gives us in tears and frustration far outweighs the joy this toy is supposed to bring.

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My time with my son is finite. Minutes shared in quality time can somehow, I hope, outlast the ticking of the clock, the speedy flipping of the months in the calendar and the swiftly flowing years.

This book, Batman Collected, built upon Chip Kid’s passion for all things Batman, parallels my own boy’s passion for the caped crusader. With over 100 pages of full-color photos dedicated to the days in 1960 when prime time television showed us Adam West and Bruce Ward fighting off the Penguin and the Joker. There was also a flurry of toy manufacturing going on at the time.

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Not just toys; there was Batman Milk, Batman Peanut Butter and Jelly, Batman Candy Cigarettes, and Batman Enriched White Bread. Packaging is all gloriously preserved and displayed in the pages of this book.

This book offers the promise of quality time; time we can spend sitting on the sofa together flipping through pages of a book that he absolutely adores.

This book is already out of print, as I first picked it up around 10 years ago for his older brother, when the Batman Fetish reigned in his heart too; and he dressed as Batman every single day. Then, those hours weren’t spent in the amount of frustration my younger son feels today. If there’s any doubt that God loves diversity, you need to raise only two children to know that he does.

There are pages and pages of vintage Batman toy photos. The Batman Flashlight that illuminates the Batman symbol we see at the beginning of each Batman Episode. Batman and Robin paper dolls, the Executive Desk Set, complete with calendar, pencil sharpener and ink blotter. The stainless steel Batman and Robin spoon and fork, “Holy Chowtime Batman They’re Stainless Too!” There are Batman metal safes, dice, jacks and vintage lunch boxes.

You can see exactly where this is headed. To most of us, we’re delighted to see such a comprehensive collection of vintage toys, preserved and catalogued for our bewilderment on the black museum-like pages. Nevertheless, we are not children; children do not understand the time-space continuum, the importance of manufacturing toys that follow mass production batches, and licenses that prevent the making of toys that do not conform to the Rated-R Dark Knight films of today.

Soon, he starts asking for the doll, the key ring, the thermos and of course, the safe. I want the safe too. It’s very cool and the stainless steel spoon and fork. Our quality time is now frustration time, “Why can’t you get me this stuff?”

Chip must have predicted this reaction; because in the back of the book is a cutout 3-d model plan to make your very own Batman Paper Doll. Is this his attempt to save the day? Probably not, as this toy comes with its own catch, stated in very fine print directly on the toy’s instructions: “Non-Posable Model.”

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However, we are optimistic parents. We actually went to Staples and had 10 extra copies of the instructions printed on cardstock, so that we could make each boy their own non-posable Batman, with some to spare for mistakes in cutting or gluing. We ignored our instincts on this one, the impulse to run and flee.

The cutting is tedious: this one was rejected because it was not cut directly on the line.

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The folds are even more of a nightmare. Once completed, the legs do not stay attached, regardless of whether you are using Super Glue, Gorilla Glue or Elmers. One model takes hours to build, spread out over two or three days of work, with built-in glue-drying times.

The sensible, well-thought out goal of sharing some of our finite time together in a quality way backfired. Especially for Dad, who spent most of the time gluing and folding. Each work session started out in high optimism, relief that “finally you’re gong to make this for me,” and quickly turned sour as the delicate model could barely withstand the gripping required to apply the glue. Wisely, I collected all of the cardboard design sheets, and packed them away in their respective memory boxes; someday we’ll laugh about this.

Of course, that didn’t last long. The Batman design sheets were discovered, and soon, he bravely walked toward me, design sheet and scissors in hand, and asked, “Can You Make This for Me?” No honey, I love you way too much to spend time with you in this way.

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We’ll make cookies together instead.

“Can they be Batman Cookies?”

Of course.

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And Batman can watch.

I Do Yoga Even When I Don’t Have Time

Sandwiched between long hours of sleep deprivation and the hopelessness that came when I realized there wasn’t a thing I could do to stop my baby from crying, I longed, for the first time in my life, to smoke a cigarette. The hacking cough that would have accompanied the puffs eluded me, because I never joined my peers, behind the school, when they drew their first puff. I had never smoked; yet I craved that slow inhalation that smokers take.

In that sleep-deprived, post-delivery daze, my imagination conjured up cravings of deep inhales with a vision of myself sitting at the kitchen table; relaxed, hands free, except for the cigarette, drawing long, slow puffs, thinking meditatively about what I would do next.

Funny, I didn’t give a thought to where I would find the minutes to sit, with idle hands. From the first hour that our first-born child crossed our threshold, my meals were eaten on the sofa, while I nursed him; then I changed his diaper; then I tried to rock him to sleep, or gave him a bath, or changed his clothes. When would I find the time to hold a lighted torch?

As soon as I got some sleep, months later, I would have reasonably weighed the probability of hurting the baby with the torch, and the dangers secondhand smoke. But those days were way, off into the future, at the time.

So, instead of smoking, I started yoga. Both vices involve deep breathing, and heavy exhales. The welcome departure I craved from the short gasps, sobs and inconsolable screams that accompanied my colicky baby. Car rides did work to stop the screaming, but because of my c-section, I could not drive. So, my husband would drive us when he came home from work, and I would sit in the backseat beside this little six-pound baby that needed the flannel-blankets my Mom had made for him last summer, propped up around him just to keep his head from falling.

Yoga is less expensive than smoking, but as I soon learned, eats more of my time.

My first yoga teacher was a kind woman with dark hair and dark eyes that fell in love with my baby. The class was Thursday nights at 7, in a large classroom in a building that held offices. There was a lighted candle, and six or seven of us. The poses were difficult; but the teacher was gentle. Learning the poses, especially because they were so challenging, gave my mind a welcome break.

Once, when my husband was out of town on Thursday, my teacher suggested I bring my baby along to class.

I bathed my little boy, and dressed him in his finest soft cotton sleeper, dotted with blue bears. His red hair set off the glow from his crystal blue eyes; and he beamed the minute my teacher said “Hello.” Sitting in his carrier, he sat beside me as we went through the poses in the candlelight room.

Halfway into the poses, he started to cry, and out of respect for the other students, I scooped him up and we went home. It is a myth to believe that babies naturally “settle down” just because they sense someone in the room is doing yoga.

My husband began to travel more and more; the practicality of a scheduled class became less of a reality. Fortunately, my passion for those long deep breaths didn’t die, despite my inability to attend as often as I liked. I discovered the world of VHS tapes — with complete yoga routines. A portable on-demand yoga studio that changed my life, and opened me to an entire new world. I craved the continuity, and I relaxed into the routines where someone else, gently told me what to do next. Someone else was in charge.

Then the bomb fell; my beloved teacher was moving away. “Your first yoga teacher always makes the deepest impression,” she told me. “You’ll think you’ll never replace her, but someone will come into your life that is better than me.”

My last teacher, my fourth, carried me through a deeper practice, deeper into my muscles; a place that I can’t imagine that first teacher showing me. This physical journey paralleled health issues I would soon face; and continues to reflect back to me the grooves that life’s pain and joy have brought into my life. She was bold, insisting I do balance poses while pregnant. My resistance finally lost to her will, and I soon found that standing in dancer’s pose, holding one leg behind me and tilting forward with my free arm outstretched, was the only time that my back was free from the weight of pregnancy; my lungs opened, and I was able to carry more air down to the beating heart of my baby. Good yoga teachers intuitively know not only what your body needs today; but what it will need as you evolve.

Still, in many ways, yoga is a habit; and a vice.

I will do yoga when I am sleep deprived, especially when my muscles ache, and sometimes I even cancel time with friends so that I can fit in the time for my yoga. I miss, from what I hear, great TV shows; they’re right in the middle of yoga.

Before I started yoga, I was unaware that there would be built-in triggers that would keep me tethered to this soothing practice. Now that the backs of my thighs and calves know how deeply they can be stretched in downward dog, they crave it; and remind me that they have not done this yet as I try to drift to sleep. That lower back of mine, reminding me of the burdens I carried throughout the day, is instantly soothed with a forward bend, either sitting or standing. Yoga is about balance. Each forward bend must be balanced with a backward bend. My muscles know this; they expect me to keep the demand.

I have learned, through yoga, how to take a breath so deep, that it begins from a deeper place than my belly button.

Out of the desperation of colic, yoga has become my vice, a very good one at that. The unexpected treat of yoga is how it allows me to discover, somewhat unexpectedly, who I am not, and who I am. This is why I return to the mat. Because I missed myself. I am no longer the person who can’t remember to buy trash bags at the grocery store, or the woman unable to cook a meal who pleases her family. With yoga, I remember who I am.

And yes, to answer all of those email questions about the best one to buy, here is a list:

Who is that Oliver Guy Anyway?

“I’m ready for the training wheels to come off my bike.”

“OK.  But remember, once they’re off you’ll need to learn to ride your bike all over again.”

“Who’s Oliver?”

It’s Friday, and I’ve Earned It

Friday morning. My feet had not even hit the floor, and they were already screaming.

“What in the world could possibly be wrong ALREADY”?!,” my voice bellowed down the stairs.

“They’re eating ice cream for breakfast,” said the older brother.

My feet hit the floor.  I marched down the stairs, ready to do major clean up of the puddles of ice cream that I could just imagine was all over the floor in front of the freezer.

There they were, calmly sitting the table, their bowls full of ice cream, as they scooped up spoonful after spoonful.

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Ice cream for breakfast. Do you really have a problem with that?

Those Were The Good Ol’ Days: Bootlegging, Big Cars and Dreams

While the stocks plummet, as we read the details about our close brushes with terror, and as we sit cold and wet from this bipolar spring weather, we need a reminder of grander times; when romance pulsed like a fever; when elegance and luxury enticed the fingertips and the taste buds; when Americans were not afraid to build those grandiose, elaborate dreams.

The World Premiere, BalletMet Columbus of The Great Gatsby, is this Friday, showcasing the story that so ironically parallels our own previous times of extravagance and opulence.  Go get dressed up, have some fun and see this.

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Dancers David Tlaiye and Emily Gotschall. Photo by Will Shivley

The ballet’s saucy energy is evident with the Tango and The Fox Trot, clearly indicating that Jimmy Orrante, the show’s choreographer, has lifted the flirtatious up and off the pages of Fitzgerald’s 1925 novel. Extracting the key elements from The Great Gatsby was Orrante’s biggest challenge.   Yes, of course, he read every word. Without the use of Fitzgerald’s prime tool — words –  Orrante choreographed the novel to reveal the turmoil of the characters, and their life-altering choices. While the era easily lends itself to dance, the characters’ motivations are complex. The ballet centers on the simmering love triangle between Gatsby and Daisy and her husband Tom. Key to Orrante’s interpretation is the influence of the social and economic values of the era, which ultimately lead Daisy away from her love for Gatsby.

During the sneak preview, complete with Pineapple Upside Down cake,  Orrante had still not finalized some of the dance steps, allowing us a brief peek at how this master,  recipient of a Choreography Award from the Princess Grace Foundation, works. While he clearly has his own vision, Orrante pulls on the magnetism of his dancers to create an interactive swirl of romance that allows the dancers, with precision, to show us exactly what Orrante wants us to see.  I can only imagine how memorizing the production will be once the dancers are wearing their glitzy costumes.

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Costume sketch of Daisy by Rebbeca Baygents Turk. Photo by Will Shivley

Once again, costume designer Rebecca Baygents Turk uses her clever talent of balancing the dancer’s need for movement, while staying true to the glitz of the dresses and stiff tuxedos we associate with the 1920s. Rebecca, I could put you to work making some batman costumes that, finally, do let the kids fly. If anybody can do that, Rebecca can.

You can expect to see a generous sprinkling of what we associate with the roaring ’20s, complete with bootlegged parties, big cars and careless dancing. There’s a bit of nostalgia in the elaborate sets — including Goerge Wilson’s humble gas station.  And most importantly, plenty of seductive, flirtatious, and energetic dancing.

Let the arts do their job; let them transport you this weekend to a different era, and inspire some of your own latent dreams. Get your tickets, here.