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The Lure of the Moon

So far, this post has generated more personal comments to me than any other of my newspaper columns. People tell me this one is clipped, and hanging on their fridge.

We start out by identifying clear boundaries: You cannot hide on the roof (anymore), inside of cars or, definitely, in the house. Warmer Octobers, unlike this one, have, in the past, led us to impromptu games of Ghost in the Graveyard.

While summer traditionally holds hosting rights to this game, October offers an enticing venue for this nighttime version of hide-and-seek for two reasons: primarily because it’s a frightful game, tying in perfectly with Halloween, and secondly, and more importantly, October features short days, making the official start time of the game much easier to accommodate in our lives.

Still, despite this early nightfall, I find myself resistant to embark on this game. I feel the strings of domesticity and the demands of homework, and quite frankly, I’m just too tired to summon the energy to play at this hour. But there are nights when I catch a glimpse of the moon, sometimes obscured by the branches of a tree, and I see that the moon is staring right back at me.

Now, I think I’m missing out on something. We gather the kids and venture outside in the dark to play. Don’t underestimate the power of the moon; just look at what it does to the ocean.

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From home base, the ghost starts the countdown — 1 o’clock, 2 o’clock, 3 o’clock — while everyone else hides. Once the ghost reaches “midnight,” he is free to leave base and search for us; our goal is to sneak back to base before the ghost finds us first.

As I hear the ghost approach “7′o’clock,” I panic because I have not yet found a spot. I start to run, I feel my blood start shooting right up to my toes and I’m breathing heavy. Soon, I’ve broken into a sweat. “This was effortless,” I whisper to myself under my breath.

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Funny how this nighttime run fails to invoke the monotony that often accompanies those forced runs I try to take. Yet, it seems to have the same effect on my system.

A small hand grabs my own, and a voice says, “Mom, I want to hide with you.” We take off running, and I stumble on the perfect spot — the railing of the deck creates safe roof access to a hiding place where the floodlights do not reach. Just as the ghost yells, “midnight,” I lift my son over the railing, sit back against the wall of the house and wait.

My son’s body shakes against mine, heaving from the giggles he is trying to contain. “A spot like this could keep me winning this game for years to come,” I think. But before the ghost even takes three steps, my son yells triumphantly, “You’ll never find us! We’re on the roof!”

After a few rounds, we have exhausted all hiding spots and, unanimously, we are ready to call it a night. I catch a glimpse of the moon again, this time lighting up the flushed cheeks of my children. “Is that a glimpse of stillness I see coming over their faces?”

What originally started as the kids’ “great idea to delay bedtime” seems to have had quite the opposite effect. This evening run in the fresh air, accompanied by the adrenaline rush, seems to have flushed out the tensions of the day, unknotted my own worries about tomorrow and effortlessly moved us through that awkward transition time between day and night; between doing and being.

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He made it

He fought an uphill battle all week to get ready for this night.

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The little storm trooper had a little trouble keeping up

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with

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everyone else,

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and his helmet kept bugging him

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bu he completed the night halfway through by saying, “I have everything I need.”

Ahhh, to feel complete.

That bag ain’t heavy; it’s my brother’s

The boys are concerned that little brother will be too sick to go trick-or-treating, and, horror of horrors, will get NO CANDY! So, they’ve devised a plan.

The little boy made his very own H1N1 sign (“How do you spell H1N1?”) and drew an unhappy swine. The brothers will take the photo, along with an extra bag for candy, and trick-or-treat for him.

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Talks about color and temperature

The flu has arrived here — we have no idea if it is H1N1, or if there is something worse yet to come. But it doesn’t really matter. We are alive, and we’re all taking very good care of each other. We started with the herbs right away and the Oscillo stuff seemed to help the most. Although the sickness seems to have affected the grownups less severely than the little ones. In fact, it is the littlest one who is the sickest. His cough is so persistent and you can see in his eyes just how worn out he is from coughing. He evokes pity.

Last night, a friend stopped by, a FEMALE, to bring me a present (fresh greens and beets) and after she looked at him we talked about his “color” and I just had a flash of a memory of what it was like when I had a mom and a grandma and aunts around to discuss such things as color, coughs and temperatures. I miss that. Just having someone else around to carry the worry, without being asked, just because it’s what we do naturally. Never once did I ever imagine there would be at time when I would be without those people in my life. These kinds of conversations are gone when you’re living in what another mom of boys calls a “Frat House.” So nice to talk to someone who speaks that familiar  language I grew up with, the one of color and temperatures.

Nothing seems to help his cough; although there was a glimmer of hope last night when he only woke me up one time with a cough that wouldn’t quit — that was at 5:10 a.m. I hope this is the worst of it. Before we went to sleep, I told the bigger brother, “Don’t turn on your light when you wake up, so little brother can sleep.” At breakfast, he said, “I remembered to keep the light off, Mom.”

To pass the time, the little guys have been busy building legos, and I made them some pumpkin-colored playdough.

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That beautiful orange color is from the addition of Paprika.

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Turn A Pumpkin Into A Pie

Making a pie from a pumpkin is as easy as baking a potato. Yet, some of you are as mystified as Cinderella’s stagecoach by the whole concept of turning a pumpkin in a pie. It’s so easy! The important thing to remember is to “let the oven do the work for you.” Just like a baked potato. Let me show you:

First, you need a pie pumpkin — they are much smaller than regular pumpkins.
Wash your pumpkin, and cut it in half.
Scoop out the seeds — and roast them.

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Next, place your halved pumpkins, cut side down on a lightly greased baking sheet.

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Bake in the oven at 350 for 30-40 minutes. Do not try to pare and cut up your pumpkin and try to boil it on the stove. This will take forever, make you angry, and you’ll end up going out to buy canned pumpkin. Let the oven soften everything for you.

Once the pumpkin comes out of the oven, let it cool before turning it over and scooping out the pumpkin.

Scoop out the cooked pumpkin — see how easy this is?

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and store in the freezer, or use right away for pumpkin pancakes, muffins or pie.

Gorgeous!

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Now you’re ready to make your pumpkin pie. Here’s the recipe:

  • 2 cups of pumpkin pulp
  • 1 1/2 cup heavy cream or milk (No canned stuff! This is a no-can recipe!)
  • 1/2 cup packed dark brown sugar
  • 1/3 cup white sugar
  • 1/2 teaspoon salt
  • 2 eggs plus the yolk of a third egg
  • 2 teaspoons of cinnamon
  • 1 teaspoon freshly grated ginger
  • 1/4 teaspoon freshly grated nutmeg
  • 1/4 teaspoon ground cloves
  • 1/4 teaspoon ground cardamon
  • 1/2 teaspoon of lemon zest
  • 1 prepared pie crust.
  • Preheat oven to 425°F.
  • Mix sugars, salt, and spices, and lemon zest in a large bowl.
  • Beat the eggs and add to the bowl.
  • Stir in the pumpkin.
  • Add the cream or milk and mix well.
  • Pour into pie shell and bake at 425°F for 15 minutes. After 15 minutes reduce the temperature to 350°F. Bake 40-50 minutes, or until a knife inserted near the center comes out clean.

Rethinking the American Dream

I ran across the photo in Vanity Fair, and like all Norman Rockwell art, I find myself staring at the ephemeral “time has just stopped” freeze-frame that each one of his images produces.

http://www.vanityfair.com/images/culture/2009/04/american-dream-0904-01a.jpg

The image, Closing a Summer Cottage, is a 1957 Norman Rockwell art-directed Colorama by Ralph Amdursky and Charles Baker. © 2009 Kodak, courtesy of George Eastman House. This photograph is a Kodak Colorama that was exhibited, with others, at New York’s Grand Central Terminal from 1950 to 1990.

In this photo, the man on the roof is doing a fairly common practice for vacationers in the 1950s — he’s taking down the antennae, as it was customary for families to bring along those bulky console TV sets along to their vacation houses.  (And we go to such great lengths to block the Wii.) Who knew that what was on TV back then was so great that it could “not be missed?”

I also love the boy and girl saying goodbye, over in the left hand side… so many things here that capture the imagination.